{"id":241,"date":"2009-09-30T17:41:00","date_gmt":"2009-10-01T00:41:00","guid":{"rendered":"http:\/\/www.philborges.com\/blog\/?p=241"},"modified":"2009-11-12T10:45:48","modified_gmt":"2009-11-12T17:45:48","slug":"lighting-in-remote-locations","status":"publish","type":"post","link":"https:\/\/www.philborges.com\/blog\/2009\/09\/30\/lighting-in-remote-locations\/","title":{"rendered":"Lighting in Remote Locations"},"content":{"rendered":"<p class=\"lead\">Because most of my work is now done in very remote\u00a0areas without the help of a trained assistant, I have learned how to simplify my on-location lighting substantially. Now I choose lighting equipment based on its reliability, simplicity and weight.<\/p>\n<p>When I first started making portraits of indigenous and tribal people in the field, I wanted to re-create the same lighting I was accustomed to using in the studio. So it was natural for me to think of a softbox as the best solution to get nice soft directional light. But instead of a light stand, I started using a tripod to accommodate the uneven terrain in the field. I would hang my Lumedyne power pack\u00a0on the tripod to stabilize it in the wind. Then, it usually took me five to ten minutes just to set up the tripod and softbox. Once I started shooting, I found it very awkward to change the direction of the light while I was working with my subject.<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-242\" title=\"ti1\" src=\"http:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/ti1.jpg\" alt=\"ti1\" width=\"500\" height=\"345\" srcset=\"https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/ti1.jpg 500w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/ti1-150x103.jpg 150w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/ti1-300x207.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/>\n<p>On one trip it finally dawned on me that I didn\u2019t need to use a softbox since I didn\u2019t have the problem of extraneous light bouncing back at me off studio walls. I could use an umbrella which was much easier to assemble. I also realized that I could almost always ask one of the many eager kids that would gather around to hold my light stand when the wind was blowing. So why did I need a stand at all?<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-249\" title=\"kenyaworking2\" src=\"http:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/kenyaworking2.jpg\" alt=\"kenyaworking2\" width=\"500\" height=\"333\" srcset=\"https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/kenyaworking2.jpg 500w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/kenyaworking2-150x99.jpg 150w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/kenyaworking2-300x199.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><br \/>\n<em><span class=\"caption\">One of the wonderful things about photographing in the developing world is that the kids love to be around new technology and hence serve as wonderful assistants.<\/span><\/em><\/p>\n<p>After I returned home, I modified a strobe bracket with some quick-release brackets and came up with a portable system that could be assembled in the field in less than a minute. This also allowed me to check my Polaroids and then change the direction and distance of the light in\u00a0seconds.<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-243\" title=\"Lumedyne\" src=\"http:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/Lumedyne.jpg\" alt=\"Lumedyne\" width=\"500\" height=\"358\" srcset=\"https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/Lumedyne.jpg 500w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/Lumedyne-150x107.jpg 150w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/Lumedyne-300x214.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/>\n<p>Since then, I have simplified the whole process even further. For one thing, shooting digitally with my Canon\u00a01ds Mark III allows me to check my strobe-to-ambient-light ratio on the LED of the camera. I no longer need Polaroids.<\/p>\n<p>I used to use the ST-E2 Speedlight infrared sender, but it was unreliable in bright light.\u00a0 Now, to simplify matters even more, I use Pocket Wizard\u2019s Flex TT5 and MiniTT1 to wirelessly fire my off camera flash (Canon 580EZ). I power the strobe with Underdog rechargeable\u00a0batteries instead of AA\u2019s (Underdog has unfortunately gone out of business). The battery pack is about the size of a pack of cigarettes and the universal charger is even smaller.<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-244\" title=\"_W6F2025\" src=\"http:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/W6F2025.jpg\" alt=\"_W6F2025\" width=\"327\" height=\"500\" srcset=\"https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/W6F2025.jpg 327w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/W6F2025-98x150.jpg 98w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/W6F2025-196x300.jpg 196w\" sizes=\"auto, (max-width: 327px) 100vw, 327px\" \/>\n<p>I now soften the light by having my assistant hold a twenty inch translucent disc about one foot in front of the strobe. I shoot one frame then check the LED. If the strobe light looks too bright or too dark I can quickly make adjustments with the flash exposure compensation dial on my camera body. It is so easy!<\/p>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-245\" title=\"550EZ_TTL\" src=\"http:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/550EZ_TTL.jpg\" alt=\"550EZ_TTL\" width=\"500\" height=\"333\" srcset=\"https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/550EZ_TTL.jpg 500w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/550EZ_TTL-150x99.jpg 150w, https:\/\/www.philborges.com\/blog\/wp-content\/uploads\/2009\/09\/550EZ_TTL-300x199.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/>\n","protected":false},"excerpt":{"rendered":"<p>Because most of my work is now done in very remote\u00a0areas without the help of a trained assistant, I have learned how to simplify my on-location lighting substantially. Now I choose lighting equipment based on its reliability, simplicity and weight. When I first started making portraits of indigenous and tribal people in the field, I&#8230;  <a href=\"https:\/\/www.philborges.com\/blog\/2009\/09\/30\/lighting-in-remote-locations\/\" class=\"more-link\" title=\"Read Lighting in Remote Locations\">Read more &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[48],"tags":[34,5,35,36],"class_list":["post-241","post","type-post","status-publish","format-standard","hentry","category-production-notes","tag-lighting","tag-photography","tag-technique","tag-tips"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lighting in Remote Locations - Phil Borges<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.philborges.com\/blog\/2009\/09\/30\/lighting-in-remote-locations\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lighting in Remote Locations - Phil Borges\" \/>\n<meta property=\"og:description\" content=\"Because most of my work is now done in very remote\u00a0areas without the help of a trained assistant, I have learned how to simplify my on-location lighting substantially. Now I choose lighting equipment based on its reliability, simplicity and weight. When I first started making portraits of indigenous and tribal people in the field, I... 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