I have a 30 day documentary film project in Dolpa, a remote part of Nepal, which I’m going to be away from power for almost 30 days. This is the first time since I converted to digital capture that I’ll be off the grid for so long. I emailed some colleagues who shoot for NorthFace… Read more »
I shoot my documentaries with both the Sony EX1 and the Canon Mark II 5D. I love the 5D for the shallow depth of field I can achieve with a variety of lenses. It has some very definite ergonomic issues so I mainly use it on a Tripod. I often set it up as a… Read more »
I have 3 cameras that I use to shoot video for my social documentary work in the developing world. My main camera is a Sony EX1, however, since I’m carrying a Canon Mark II 5D I often use it as a second camera in my interviews. Also when I want a short depth of field… Read more »
As I have mentioned the digital revolution in photography has made my work easier in many ways. One of the greatest benefits is being able to capture images in low light. With the release of the new cameras like the Nikon D3s and the Canon EOS-1D Mark IV this is just getting better. However, the… Read more »
Now that the web is nudging all of us photographers to create more than just stills to deliver our message we who work on location in remote areas are faced with the prospect of adding more equipment to the heavy packs we have been carrying for years! Last year I traveled to Malawi, Zambia, Sri… Read more »
Because most of my work is now done in very remote areas without the help of a trained assistant, I have learned how to simplify my on-location lighting substantially. Now I choose lighting equipment based on its reliability, simplicity and weight. When I first started making portraits of indigenous and tribal people in the field, I… Read more »
