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As I have mentioned the digital revolution in photography has made my work easier in many ways.  One of the greatest benefits is being able to capture images in low light.  With the release of the new cameras like the Nikon D3s and the Canon EOS-1D Mark IV this is just getting better.

However, the media revolution brought about by the internet is nudging all of us still photographers toward multimedia.  Now the space in my backpack that opened up because of the lighting equipment I have been able to get rid of has been more than replaced by audio and video equipment.

On the trip to the Tarahamara in Mexico I brought my Mark II 5D and the Sony PNW-EX1 to shoot video.  Betsy Hershey who is collaborating with me on the project brought her Canon Vixia HF S11 camcorder.  After spending time with all three cameras I’ve come to this conclusion.  The Mark II 5D is not ergonomically built to shoot video.  Even with the Z-Finder it is hard to focus on the move.  The add-ons that you need to purchase to make it somewhat ergonomically efficient make the 5D cost and weigh more than the Sony EX1.  The one advantage it has is being able to use all the Canon lenses and obtain a short depth of field.  From now on I’ll use the 5D for selected shots and usually on a tripod when I need to isolate my subject with a shallow depth of field.


Sony PNW-EX1


Mark II 5D with all the add-ons

The other thing I learned is that the HF S11 does a remarkable job for a consumer grade camera and has many advantages.  There were many times that Betsy was getting the shot while I was still getting my EX1 out of the pack and getting it fired up.  Also, the palm sized HFS11 camera is so unobtrusive!!  This was important in the area we working where there have been many drug related killings and journalists are not especially liked.


Canon Vixia HF S11

Here is some edited footage from the fiesta that alternately cuts between the EX1 and the HF S11.  I see a little less crispness in the image but all in all it isn’t bad!!  Can you see much difference? 

It was just 2 years ago the Panasonic DVX 100 mini DV standard definition was the standard for documentary film makers.  The 1920 x 1080 file from the tiny HF S11 is also a big improvement.

When it comes to catching an intimate moment and getting the shot I don’t mind a slight loss in dynamic range. I’m going to look at the next iteration of the HF S11 (HF S21) which will evidently have a touch and track sensitive LED screen that will allow you to focus by touching the screen on the area you want to focus.

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