Inigo de Angulo, a photographer from Spain, also accompanied me on one of my trips to Tibet in May. It was such a pleasure to watch Inigo interact with the people as he shot and gave Polaroids to his subjects. Inigo has been working on a long term project documenting many religious practices around the world. Here is his description of how the experience affected him.

“What impressed me most of the Tibetans was their devotion: they intensively live their faith at every moment. It is not something reserved for a special day in the calendar, but a constant presence in the way they understand their lives. From the way people greet you, humbly, with both hands together at the chest level; their chanting of the “On mani padme hum” mantra while spinning the prayer wheels; to the prostrations on the ground while circumambulating a temple.

And the most significant thing is that they not only pray for a better life for themselves or their family, but always extend their prayers to the peace and well-being of all the world. Before this trip, I saw some rituals of religions different to mine as something somehow weird and striking. Now I understand better that those rituals represent the way people live their faith, connect to God. I’m more open not only to accept but even to participate in them. I feel closer to the people and through them to God.” Inigo de Angulo

To see his full body of work on Tibetan Devotion go to http://www.enekoertz.com

On my last trip to Tibet in May I decided to take two photographers with me to help cover expenses.   I had met Stevan at one of my lectures at PhotoPlus and Inigo at one of my workshops in Los Angeles.   It turned out to be a great collaborative experience with me learning as much or more from them as they did from me.  My worries about having two extra foreigners show up vs one turned out to be unfounded.   Both Stevan and Inigo were great with the people.

Here are some images and a recollection from Stevan:

An early morning walk on the dirt paths of Langmusi (Chinese) or Taktsang Lhamo (Tibetan) revealed approximately 35 motor biking nomads.  These rough riding types rode over 100 kilometers to tithe to the Kerti Gumpa (monastery). What a sight to see these characters with camera phones.

They found me as much of a mystery as I did them.  They sat and prayed with monks in this village that straddled the border between Sichauan and Gansu.  The monks took their donation and draped their motorbikes with prayer flags.  In quick order the nomads sped away to place the flags at the highest peak of the village. The display of prayer flags on mountain tops is widely seen in Tibet.  It is an act of building merit and goodwill as the wind flutters the mantra stamped flags voicing the faith of Buddhism to the world.  It was humbling to experience the devotion of an unlikely group of men. 

It is one of those moments that will always stay with me.

To see more of Stevan’s impressive images visit  www.cielostudios.com. 

Mt. Nyiru, Kenya                                                                                     Sukulen, 37

As a social documentary photographer and filmmaker I typically have to suggest marketing ideas to the nonprofit organizations I work with. I find it important to get to know what the PR or marketing staff of the organizations are trying to accomplish and then brainstorm with them on projects that could accomplish their goals. For example in talking with Helen Garrett, the marketing director of Amnesty International, I learned that they wanted to conduct a multicity campaign in North America and Europe to celebrate the 50^th Anniversary of the Universal Declaration of Human Rights. They wanted to collect 10,000,000 signatures of people rededicating themselves to the UDHR. In our conversations I suggested the signatures be collected in museums and galleries so there could be a backdrop of images at the events they staged. Of course it was my suggestion that I could supply the images and book that traveled with the events. As a result they accomplished their goal and I was able to create my Enduring Spirit series.

Willoq, Peru                                               Lourdes 9, Benigno 18 mos.

Today many corporations are looking for ways to align their marketing efforts around social issues. ‘ Green marketing’ is a fast growing multimillion dollar business. This trend presents opportunities for the university student, retired baby boomer or documentary photographer who is passionate about an issue to find support. It just takes a little ambition and creativity to forge your own path.

Jinka, Ethiopia                                                                 Buzayan 6

When I first started making portraits of indigenous and tribal people in the field, I wanted to re-create the same lighting I was accustomed to using in the studio. So it was natural for me to think of a softbox as the best solution to get nice soft directional light. But instead of a light stand, I started using a tripod to accommodate the uneven terrain in the field. I would hang my Lumedyne power pack on the tripod to stabilize it in the wind. Then, it usually took me five to ten minutes just to set up the tripod and softbox. Once I started shooting, I found it very awkward to change the direction of the light while I was working with my subject.

On one trip it finally dawned on me that I didn’t need to use a softbox since I didn’t have the problem of extraneous light bouncing back at me off studio walls. I could use an umbrella which was much easier to assemble. I also realized that I could almost always ask one of the many eager kids that would gather around to hold my light stand when the wind was blowing. So why did I need a stand at all?

One of the wonderful things about photographing in the developing world is that the kids love to be around new technology and hence serve as wonderful assistants.

After I returned home, I modified a strobe bracket with some quick-release brackets and came up with a portable system that could be assembled in the field in less than a minute. This also allowed me to check my Polaroids and then change the direction and distance of the light in seconds.

Since then, I have simplified the whole process even further. For one thing, shooting digitally with my Canon 1ds Mark III allows me to check my strobe-to-ambient-light ratio on the LED of the camera. I no longer need Polaroids.

I used to use the ST-E2 Speedlight infrared sender, but it was unreliable in bright light.  Now, to simplify matters even more, I use Pocket Wizard’s Flex TT5 and MiniTT1 to wirelessly fire my off camera flash (Canon 580EZ). I power the strobe with Underdog rechargeable batteries instead of AA’s (Underdog has unfortunately gone out of business). The battery pack is about the size of a pack of cigarettes and the universal charger is even smaller.

I now soften the light by having my assistant hold a twenty inch translucent disc about one foot in front of the strobe. I shoot one frame then check the LED. If the strobe light looks too bright or too dark I can quickly make adjustments with the flash exposure compensation dial on my camera body. It is so easy!

When I approach someone I am thinking and believe that I am about to give them something. For one I’m going to complement them by letting them know that I believe they are unique and interesting to me. I also know that I am going to give them a unique experience. It isn’t every day that someone comes up to you and asks if they can photograph you. You don’t even have to be able to speak to the person. If you are thinking it they will be able to read it in your body language. They can read if you hope to make their day or if you are just trying to get something out of them. 

When I enter a tribe or village for the first time I almost always start by interacting with the kids. Kids are the most open and curious about new experiences. I take out my photographic equipment and begin taking photos of them and then giving them photos of themselves.  It is my little magic show.  Many times these kids ask to become my production crew. Before digital cameras I shot Polaroids, today I show them the LCD on the back of my camera and also carry a small battery operated HP digital printer so I can hand out prints. During my stay in the village these prints and Polaroid’s make it to their parent’s huts and soon I’m being invited into their homes and being asked to take photos of everyone. At this point the problem becomes how to take photos of everyone. I only carry a finite amount of Polaroids and ink cartridges! I find myself doing many group photos.

Even though I first approach people without an interpreter so they can get a sense of me through my body language, I always have someone available that can serve as a translator. I want to be able to tell them what I intend to do with the photos. In my case for exhibitions and books relating to an issue that their group is dealing with (human rights violations, poverty or environmental degradation).

I see many tourists taking photos of people in markets and villages without any meaningful interaction with the people they are photographing and many times getting a negative reaction. Just think how you would like it if someone came into your backyard and started taking pictures of you and your family without making a connection with you. 

Photography can be a great ice breaker that will allow you to have a wonderful cross cultural experience.